我們將布料視為一種結構語言，用以模擬自然的形態與節奏。
取樣山脈與枝葉、數位介面與縫線拼接之間的規律，轉化為介於有機與人工之間的形構提案。

We regard fabric as a structural language — a way to simulate the forms and rhythms of nature.
By sampling mountain ridgelines, botanical contours, and digital interfaces,
we construct expressions that drift between the organic and the manmade.